Kinetic type in video journalism (2010)

I enjoyed this post from Lauren Rabaino on 10,000 Words about the use of kinetic type in video storytelling and how it can be used in journalism.

There’s huge value in being able to tell a story that people will read all the way through– from start to finish– and then share with all their friends and family. Kinetic type lends itself to exactly that kind of attentiveness and shareability.

I’m not alone in watching those videos all the way through, every time. We’re of a visual era. We like seeing content in a way that engages us, a way that attracts our full attention. These videos are addicting — but not just because they’re fun. You walk away from them with a new wealth of knowledge that is easily digestible and thus easily retainable.

She provides a few examples including the well-known Did You Know videos and this one from Good magazine about the cost of war to the US.

As an aside, while I was checking into the numbers used in the video I came across, a running (and rather sobering) counter of the cost of the war in Iraq and the war in Afghanistan (based on funds allocated by Congress).

Lauren finishes her post with a how-to list. Here are the first three suggestions on her list:

1. Before you get started, fully flesh out the exact copy you want to use. It’s a pain to go back and change even one word, especially if you’re going to narrate.

2. Keep the text simple. Short sentences. Think about which words and phrases are important from the start so you can later highlight them with a different color or motion.

3. Watch a few tutorials to get a feel for how it will all come together in the end. There are kinetic type tutorials all over the web.

You can read the rest of the list and Lauren’s post here.

Mindy McAdams pointed in the comments to The Girl Effect video as another great example of storytelling.

And I like this one on Malaria (also by Good magazine):

Journalism in the Age of Data (2010)

A documentary on data journalism by Geoff McGhee via Flowing Data, who name-check some of the people interviewed:

Martin Wattenberg and Fernanda Viègas kick things off with some of the work they did with IBM. Then it’s Ben Fry from Fathom, then Jeffrey Heer from Stanford, and then Steve Duenes, Matt Ericson, and Amanda Cox of The New York Times. Later on, there’s some Nicholas Felton on his Feltron Reportand Eric Rodenbeck of Stamen, with several others.

You can watch it below, but I recommend viewing the annotated version which adds links and references as you go. It’s really nicely done.

I grabbed a few links provided in the tools section:

Journalism in the Age of Data from Geoff McGhee on Vimeo.


Using the Official Information Act

The good folks at TVNZ Media7 have kindly shared this cheery video tutorial on what the Official Information Act allows in New Zealand and how to use it.

Thrown in for extra value is a panel discussion between host Russell Brown, investigative journalist Nicky Hager, DomPost chief reporter Haydon Dewes, and PSA national secretary Brenda Pilott.

Online community management 101

Some notes from a Webstock ’09  workshop about managing and sustaining communities online.

The one-day workshop was led by Heather Champ, then community manager for Flickr, and Derek Powazek.


These are heavily paraphrased notes from workshop leaders and participants and any mistakes or misrepresentations are mine alone.

1. A definition

“Web communities happen when people are given tools to use their voice in a public and immediate way, forming intimate relationships over time.” – Derek Powazek’s definition of communities written for his book, Design for Community: the art of connecting real people in virtual places.

Don’t call what you do a community. Just give people these tools and over time the people who use it will call it a community.

2. Ask yourself these questions:

Who do you think the site is for?
What is it they are going to be able to do? (individuals, collaborative, sharing information?)
Why will they want to do it? What will they get out of it?

If you can’t answer these questions, don’t build the site.

3. The paperwork

Let people see this stuff before they sign up.

Privacy Policy
Twitter privacy policy is well written and human – read it.
People pay close attention to this stuff.

Report and takedown process is important.  Easier you can make it, the better.
Ownership – need clear information on who owns content.

Terms of Service
Read Flickr terms of service as a starting point.

Community Guidelines
Flickr Community Guidelines a list of dos and don’ts (not just don’ts).
Members probably refer to this more than the terms of service.
Doesn’t have to be perfect at the beginning, guidelines grow as the site grows.

Managing abuse
Think about ways people might abuse your site.
Think about what you will not tolerate.
Decide what you will do if it happens. Write it down.
Be prepared, know who’s going to deal with it and how.
Need multiple people in the business who can manage this, so it doesn’t matter if you’re away.

4. Structure

User friendly is important but every community excludes someone.
Think about where to put the barrier to entry (do you want everyone posting or only highly motivated folk?).
Wisdom of Crowds. Value is in the aggregate of thoughts, guesses, estimates. Value is not identifying the smart individuals to listen to but averaging out the voice.
Give people small, simple tasks. If not getting feedback you hope for, ask for something smaller.
Give them to a large, diverse group.
Design for selfishness. Flickr tags are selfish (I want to find image later) but selfishness of tags becomes usfeul to all. What are selfish reasons for someone to participate? If you can’t name one, you have a problem.
Aggregate the answers. Be aware of:

Popular tags – a behemoth, doesn’t move, hard to use.
Hot tags add dimension of time.
Have to continuously change algorithms. If creating leaderboard, say, some people will game it.
Scores create games. First post – game in which you win by being a dork and writing ‘first post’ – adds nothing.
How do you observe without changing the outcome? Don’t show tally during vote, don’t show outcome of poll until vote is cast.
Randomness – instead of a top 10 list, take a top 20 per cent and show nine randomly.

It’s okay to build in an editorial, human step at the end. Even if you can figure out algorithm and game it, you can’t game the editor.

5. Keeping things ticking over

Eventually you will need a community manager.
Manager = shepherd, editor, cheerleader, advocate, judge, executioner.
You only hear from unhappy people. Be prepared to deal with that.
Best place to look for a manager is in your own community.
Learn when to respond, don’t have to respond to everything.
Have to set tone in the beginning then members start to take on roles, become champions, start moderating.
Don’t keep all moderation tools at top level, have tools for members eg flag this photo, ability to block people, report abuse (simple process).

Reward good behaviour
Use blog to turn spotlight on good behaviour, content.
Behaviour speaks louder than pages of rules.
Your ambassadors can help hugely in forums.

Tell people what’s going on, keep it updated.
Own it when you’re wrong: ‘Sometimes we suck’.
Don’t wait. If going to introduce change, explain it, give people time to learn about it, give them an option to pull out, then make the change.

6. Trolls

Identifying Trolls
Repeated disruptions, steering conversation, server logs
They’re not the freakout comment, but the one before it. They goad.
Sometimes people use two identities to fight with themselves – can see it’s the same IP address. Puppet accounts.
Sometimes they do it to back up the first comment.  “You may not create puppet accounts and talk to yourself”.

Stopping Trolls
Silent treatment. Set it so only the troll can see their posts.
Disable puppets.
Timeouts. Slow down server response time – takes ages to log in, they need instant gratification.

7. Final nugget of wisdom

Observe the ‘ask for forgiveness rule’: act first, then tell the boss.

Dean Stringer also wrote an excellent summary of the workshop, as did Courtney Johnston.